Suzanne’s band, Melodyguild, are scheduled to have a CD release party at Club Violane in LA’s Chinatown district this Saturday. The band will be performing songs from their brand new release, Aitu, out now on Projekt Records.
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Melodyguild EP Released by Projekt
The long awaited debut album by Melodyguild — the band of Love Spirals Downwards’ vocalist, Suzanne Perry — has finally been released! The ‘Aitu’ EP — originally announced in early 2003 — will officially drop June 10th, but it’s available online now via Projekt. This 4-song digipac CD is currently #6 on the Projekt Top 10 – congrats!
Iprong Magazine Feature Lovespirals
The April 2nd “100% Podsafe” issue of iProng Magazine features an interview with Anji discussing Lovespirals, going podsafe, getting into podcasting, music licensing, live performance vs studio recording, and much more. Also included this issue is a great article on eMusic vs Amazon downloads, interviews with fellow podsafe artists Geoff Smith and Natalie Gelman, and an article with Rich Robinson of the Black Crowes, who released their new single to the Podsafe Music Network.
100% PodSafe Edition, iProng Magazine Artist Feature on Lovespirals
For someone who isn’t familiar with Lovespirals, how would you describe it to them?
Lovespirals is the musical duo of multi-instrumentalist and producer, Ryan Lum, and me — Anji Bee — the vocalist, lyricist and co-producer. We write and record all of our music together in our own home studio. As such, our music has a very intimate feel. Our sound doesn’t follow any particular genre model, instead, we play what we feel at the moment. We tend towards very melodic, bittersweet, and dreamy music that focuses on beautiful vocal harmonies and soulful guitar work, with liberal sprinklings of electric piano.
There’s always been a sort of tug of war in Lovespirals between jazzy electronica and folky rock. Each of our releases have come upon a different solution to this tension between the modern and vintage sides of our musical personalities. One the one hand, we both love the old vinyl albums we grew up with as kids, but on the other, we’re drawn to contemporary music and production techniques. The interesting thing about this is that while the casual listener assumes a song like “Caught in the Groove” from Long Way From Home was recorded with a full band, in actuality Ryan programmed the drums using a keyboard controller and samples, the piano is recorded with midi, and the guitars and bass were performed one track at a time in ProTools.
Continue reading Iprong Magazine Feature LovespiralsMore ‘Long Way From Home’ Reviews
Reviews are still popping up of Lovespirals’ recent album, Long Way From Home, in partial thanks to the efforts of Ariel PR who helped to push the album when it was released this past October 23rd.
Miles Klee said in Hot Indie News:
Bluesy slide guitar work sometimes shades over into Santana-like finger-meandering, and vocalist Anji Bee’s layered voice paints bright glaze over already dreamy arrangements. It’s as though the glancing disaffection of 80’s and 90’s dream-poppers has been filtered through an AM radio, a mutation that works by dint of sounding completely natural on an evolutionary view.
From the Green Arrow Radio blog:
More than melancholic music, there is a sense that they traveled with you on similar & familiar roads with the radio tuned to the same left of the dial station in the middle of wherever. After nearly a decade of artistic collaboration between singer/songwriter, Anji Bee, & multi instrumentalist & producer, Ryan Lum, it is no wonder that they have managed to put together an album of answers to questions yet asked with a subtle sultry sense of sound security.
The Celebrity Cafe‘s Ray Anderson mused:
Empty and sad, but of full of emotion, their album Long Way from Home is medicine for those that dig the alternative. How can you take a gut-wrenching classic like “Motherless Child” and make it sadder? Let the “Lovespirals” get a hold of it. It’s easy to fall into the loose, country-tinged groove of “Caught in a Groove” and let your soul be taken for a ride. By the time the “upbeat” “Lovelight” comes on, you won’t mind being “A Long Way from Home,” and I think you’ll want to stay there.
Idylls and Ardor Reissue Reviews
More reviews for the reissues of our first 2 albums have appeared online on MusicTap, Re:Gen Mag (Idylls and Ardor), two.one.five magazine (Idylls and Ardor), and The Mick – a downloadable PFD magazine. Some are better than others, but I guess you have to take the bad with the good on the old Internet.
Opus Zine Reviews Long Way From Home
Jason Moore reviewed Lovespirals’ latest album, Long Way From Home, for his Opus Zine. You can read the full review on his website.
It doesn’t feel quite right to say that Lovespirals is merely the new incarnation of Love Spirals Downwards, even though it’s pretty obvious why folks (myself included) would say that — and not just because of the name similarities. While founder/songwriter Ryan Lum has largely eschewed the gothic/darkwave overtones of his previous band, there’s still no denying that the ghosts of acts such as the Cocteau Twins still haunt their way through Lovespirals’ Long Way From Home. One need only to listen to hazy guitar strums or shimmery effects on “Empty Universe,” “Treading The Water,” or “Sundrenched” for that to become readily apparent.
And then there’s Anji Bee’s vocals. Bee lets her voice drift and sway through the album’s ten tracks in a manner recalling Love Spirals Downwards’ previous vocalists (such as Suzanne Perry), Liz Frazier (minus the glossolalia), and even Tracey Thorn (Everything But The Girl). You know what I’m talking about: a manner that is seductive, not so much for its sultriness and smokiness, but for its ethereal and otherworldly nature.
All that being said, however, Long Way From Home is far more straightforward than anything Lum (and his various collaborators) has done to date — especially when compared to the Projekt days. While there are certainly echoes of those early darkwave records, replete with their Victorialand influences, Long Way From Home also blends in more forthright pop, jazz, Americana, and even blues for good measure. The duo pull the music off effortlessly, with Lum’s lush production and guitar effects providing a gorgeous, sunlit backdrop for Bee’s vocals.
Ultimately, Lum and Bee are all about creating a mood with their music, a relaxed and blissed-out vibe that should be no stranger to fans of dreampop, chill-out electronica, and atmospheric pop. This is music for both late night sessions and noon daydreams, for both listening to at work when you need to escape the pressure of the day and at home when you simply need to unwind with a good book and a glass of wine. From that perspective, Long Way From Home succeeds pretty well.
Motherless Child EP Out
Lovespirals’ Motherless Child EP has just been released on iTunes+, eMusic, and Amazon Mp3. This digital only release features 6 remixes of the first single from the duo’s most recent album, Long Way From Home. Artists included are Karmacoda, Hungry Lucy, MoShang, Chris Caulder of Beauty’s Confusion, and The Black Channel Citizen — plus one by Lovespirals’ own Ryan Lum.
Lovespirals ‘Long Way From Home’ Feature Podcast
In this extended episode of the Chillin’ with Lovespirals podcast, Ryan and Anji play every song from their Long Way From Home as they discuss how the album was created. In this special behind-the-scenes podcast, the duo discuss their new album’s influences, song writing process, and production secrets, while giving you great peek into the album!
You can subscribe to Chillin’ with Lovespirals on just about any podcast app including Apple, Spotify, Amazon, iHeart, Podcast Addict, Podchaser, Deezer, and JioSaavn.
Continue reading Lovespirals ‘Long Way From Home’ Feature PodcastRe:Gen Magazine Reviews Long Way From Home
By Matthew Johnson
On their third album, Lovespirals shift away from overt electronica in favor of beautiful, understated folk and blues ballads.
If sophomore album Free and Easy saw Lovespirals’ sound at its biggest, Long Way from Home is the duo’s most intimate, forsaking house beats and jazz flourishes for understated slide guitar and acoustic strums. Ryan Lum’s production is more mature than ever before; unless you really listen for it, you won’t be able to tell that he plays and records all the instruments himself – maybe not even then – and the drums sound warm and clear, betraying no hint of sampler or sequencer. Instead, Lum lets his arrangements take center stage, with emotive guitar solos harmonizing with electric organ on the bluesy ballad “Once in a Blue Moon” and relaxed acoustic strums highlighting jazzy piano chords on “Nocturnal Daze.” Anji Bee’s vocals are beautifully languid, the sweetness swathed in melancholy on the plaintive “Caught in the Groove,” adorned by floating background harmonies on “Treading the Water,” and sensual yet dreary on the pair’s stark rendition of classic spiritual “Motherless Child.” Fans of the pair’s more overtly romantic material will appreciate unabashed love song “This Truth,” and there’s even a hint of the ethereal dreaminess of Lum’s previous project, Love Spirals Downwards, on the fuzzy overlapping guitar tones and meandering vocals of “Sundrenched” and “Lazy Love Days.”
It’s not an understatement to call Long Way from Home the duo’s most accomplished work up to date; as enjoyable as their previous explorations of laidback electronica and jazz fusion have been, this album captures Lum and Bee’s warm musical chemistry in a way that previous releases only hinted at.
View the original review at Re:Gen Magazine.
Music Tap Featured Artist for December
Matt Rowe reviews Long Way From Home for Music Tap, 11/28/2007
The evolution of Lovespirals into the band that they are today has been a long road. From the band’s early years as Love Spirals Downwards — with a vocalist all-but-forgotten for Anji Bee’s lovely, dreamy, and expansive vocal pleasantries — to their current album, Lovespirals have always been a band of change. Their latest, the wonderfully titled Long Way From Home, is one of superior work and can easily rank as the band’s best work in either incarnation.
Still a part of the Dream-Pop sound that formed them, the Anji Bee years of Lovespirals have been an essential element for the band. With her ability to wrap around Ryan Lum’s musical explorations, Lovespirals is not afraid of trying on new clothes, framing them in gorgeous soft tones of various flavours. The album begins with a “career-best” blues song that accentuates the album’s direction. “Caught in the Groove” is a beautifully produced, dream-blues (if I may coin the phrase) song. Using a song as a metaphor for the deterioration of a relationship, this captivating tune is made all the more extraordinary by Lum’s blues guitar.
That same bluesy guitar shows up in “Once in a Blue Moon, and “Nocturnal Daze.” Ryan Lum’s guitar leads have a distinct ’70s feel throughout the album. Some songs recall the past musical history of the band. “Sundrenched” lends itself to the stream of that past. The album closes with the excellent musically and lyrically sex-soaked “Lazy Love Days.”
The needle may be “caught in the groove” but, for me, that’s a good thing where this album is concerned.
View the original post at MusicTap.net