Category Archives: Interview

Iprong Magazine Feature Lovespirals

The April 2nd “100% Podsafe” issue of iProng Magazine features an interview with Anji discussing Lovespirals, going podsafe, getting into podcasting, music licensing, live performance vs studio recording, and much more. Also included this issue is a great article on eMusic vs Amazon downloads, interviews with fellow podsafe artists Geoff Smith and Natalie Gelman, and an article with Rich Robinson of the Black Crowes, who released their new single to the Podsafe Music Network.

100% PodSafe Edition, iProng Magazine Artist Feature on Lovespirals

For someone who isn’t familiar with Lovespirals, how would you describe it to them?

Lovespirals is the musical duo of multi-instrumentalist and producer, Ryan Lum, and me — Anji Bee — the vocalist, lyricist and co-producer. We write and record all of our music together in our own home studio. As such, our music has a very intimate feel. Our sound doesn’t follow any particular genre model, instead, we play what we feel at the moment. We tend towards very melodic, bittersweet, and dreamy music that focuses on beautiful vocal harmonies and soulful guitar work, with liberal sprinklings of electric piano.

There’s always been a sort of tug of war in Lovespirals between jazzy electronica and folky rock. Each of our releases have come upon a different solution to this tension between the modern and vintage sides of our musical personalities. One the one hand, we both love the old vinyl albums we grew up with as kids, but on the other, we’re drawn to contemporary music and production techniques. The interesting thing about this is that while the casual listener assumes a song like “Caught in the Groove” from Long Way From Home was recorded with a full band, in actuality Ryan programmed the drums using a keyboard controller and samples, the piano is recorded with midi, and the guitars and bass were performed one track at a time in ProTools.

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Lovespirals ‘Long Way From Home’ Feature Podcast

In this extended episode of the Chillin’ with Lovespirals podcast, Ryan and Anji play every song from their Long Way From Home as they discuss how the album was created. In this special behind-the-scenes podcast, the duo discuss their new album’s influences, song writing process, and production secrets, while giving you great peek into the album!

You can subscribe to Chillin’ with Lovespirals on just about any podcast app including AppleSpotifyAmazoniHeartPodcast Addict, PodchaserDeezer, and JioSaavn

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Re:Gen Magazine Interview Lovespirals

The Golden Age of Chill by Re:Gen Magazine Assistant Editor, Matthew Johnson

For a band so enmeshed in ’70s-era recording aesthetics, Lovespirals’ Anji Bee and Ryan Lum are undeniably on the cutting edge of modern technology. Early adopters of podcasting technology, the pair are aligned with Adam Curry’s PodShow network as well as the nascent podsafe movement. They also recently made their virtual reality debut with a live show in the Second Life online community, and are eager about the Internet’s role in the music industry’s uncertain new era. Get them talking about the music itself, though, and it’s all about the warm sounds of ’70s records. Bee and Lum’s newest release, Long Way from Home, largely abandons the house and downtempo electronic currents of previous releases Windblown Kiss and Free and Easy — not to mention the ambient drum ‘n’ bass predilections Lum explored with his previous project, top-selling Projekt act Love Spirals Downwards — in favor of a more acoustic approach. If the technology is less overt, however, it’s no less an integral part of Lovespirals’ music. As Lum and Bee explain to ReGen, it takes a lot of technique to produce an album on ProTools that sounds like it was recorded in the days of Miles Davis and John Coltrane. Lum also tells us about revisiting his early work by remastering new editions of Love Spirals Downwards’ first two albums, Idylls and Ardor, and Bee talks about keeping things real in the age of Auto-Tune.

Let’s start by talking about your new album, Long Way from Home. The electronic elements are a lot more understated than on Free and Easy. Was there a conscious decision to step away from electronica to focus on more traditional instruments?

Lum: Big time! There’s really no electronics, unless you count the Rhodes piano. I think three or four songs have Rhodes, some a lot of Rhodes, some just a little bit. I don’t know if that makes it electronica. I just see it as a popular ’70s instrument that got re-popularized.
Bee: Bands like Zero 7 and Air have really re-popularized Rhodes, so it’s easy to think of Rhodes as being an electronica thing. I’m happy to let it slide; if we’re considered ‘downtempo’ because of the Rhodes, that’s fine. We did basically record the same way as Free and Easy; we used ProTools, and the drums are not real drums.
Lum: It may not sound like it, but I’m using all the production techniques I’ve learned over the years, making Free and Easy, or before that making drum ‘n’ bass or house or whatever. We’re using the same techniques, but we’re trying to make more acoustic records with the same gear.
Bee: It’s like we’re disguising the techniques.
Lum: You can make a drum machine sound all electronic, but we’re trying to make it sound as human as possible. In fact, I’m hoping you can’t even tell it’s not a real guy playing a real drum.

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Gearwire Artist Feature Interview

“On Pro Tools, GarageBand, And Pitch Correction: Lovespirals’ Ryan Lum And Anji Bee”

by Patrick Ogle of Thanatos

Ryan Lum has been making electronic based music for a decade and a half. First working with Suzanne Perry in shoegazer/ambient/electronica band, Love Spirals Downwards, and now in the successor project, Lovespirals, with new vocalist Anji Bee.

Lum’s music has ranged from the beautiful, meandering, shoegazing of Love Spirals Downwards to the new project’s fusion of downtempo and electronic jazz. Between the two bands Lum has released 9 full length releases and one single. Yet despite this electronica pedigree, Lum and Bee often eschew the electronic cutting edge for what some might consider old-fashioned [musical values]. Lum especially eschews the over-use of plug-ins.

“Two big reasons I don’t go crazy with audio plug ins and all: first, my computer is a bit old and a bit too slow and outdated for going nuts with that stuff.” says Lum “Second, I don’t really need them beyond basic stuff like compressors. I’d rather use a good rackmount reverb than a plug-in. Plus, some plug-ins just sound horrible.”

Lum has used ProTools 24 TDM hardware since 1999 with his Apple Tower and a three year old copy of ProTools 6.

“It’d be nice to get a new TDM system, but you need around $10,000 to make it happen so that’s the main reason why I’ve kept what I have,” says Lum. “But honestly, there’s no real need to upgrade though they try to make you believe you need to. The only real thing I’m missing out on is that the newer systems have way more power and can run tons more plug-ins.”

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Atmosphere 69 Artist Profile on Lovespirals

During our last trip to Mexico City, we visited the Lounge King Radio Network studio to do an interview for their newly launched show, Atmosphere 69. A half hour “Music Therapy Artist Feature” on Lovespirals highlighting tracks from our new album, ‘Free and Easy,’ interspersed with interview clips will air on Mix96 FM Canada, as well as streaming internet radio stations Luxuria Music and Lounge Radio. Check it out at www.atmosphere69.com

EDIT: now added to our MixCloud archive!

Music Tap interview with Ryan & Anji of Lovespirals

March 13, 2006: Music Tap, Matt Rowe

“Honey and Cool Jazz ‘n’ Rock: An interview with Ryan Lum and Anji Bee of Lovespirals”

Matt: Ryan – Anji’s voice is hauntingly memorable; her voice sticks in my mind long after I heard the songs. Are you as hypnotized by her ability to mesh with your vision of how Lovespirals songs should be communicated as we are hearing it?

Ryan: Yeah, it’s surprising how her voice just fits perfectly. I’m very lucky. Her voice has been as important as anything in the evolution of our music together.

Matt: Anji, obviously you are an excellent fit with Lovespirals. The forward progression of the band incorporates you better than many bands undergoing a shift in style. How do you feel your involvement with Lovespirals changes the band? Have you brought your own influences into the structure of the band’s musical vision?

Anji: It would be impossible for me not to bring my own influences into the band, since we are a collaborative team. I think I bring an earthier element to the music. My vocals are very lyrically based, as opposed to Suzanne’s more non-verbal stylings, and my sound is more soulful compared to her purely ethereal sound.

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Stratosphere Fanzine Interview

Interview by Jen Stratosphere

JEN: Do you consider Lovespirals to be a continuation of Love Spirals Downwards or is it a totally separate creation?

RYAN: It’s a new band for sure. But on the other hand, I’m just doing my thing: making music. I never sat down and decided to make music in a way that wasn’t natural for me. I’m just doing what I’ve always done; making music that moves me, something that challenges me to grow musically, and something I’d want to listen to when it’s all done. With each album, I think I’ve been sucessful in being genre-less. That’s something I’ve pretty much always wanted to do; not be confined by the restrictions of making music that a certain kind of genre or following expects. I’m a free musical soul and I’ve always aimed at following my musical bliss. So older fans that got that from my music should still be just as pleased, if not more so, with Lovespirals. But if you liked my older music because you were a fan of the record label and their narrow genre and style, then you probably never really got what my music was about and won’t necessarily be into Lovespirals.

ANJI: This is a complicated question. You can look at it in different ways. Sam Rosenthal said that Lovespirals are to Love Spirals Downwards what Jefferson Starship are to Jefferson Airplane, or Pink Floyd are to The Pink Floyd Sound. In each case, a band member left and the name was shortened. Is it still the same band? Then again, Love Spirals Downwards were never really a band, per se, but a recording project headed up by Ryan. Of course, we don’t perform his old songs live, which fans would probably expect if they thought of us as being the “continuation of Love Spirals Downwards.”

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Fiber Online Interview Lovespirals’ Anji Bee

Interview by Isobel Geo for Fiber Online, Oct 26, 2003

ISOBEL: What changed in the Lovespirals sounds with your entrance in 1999?

ANJI: The sound was already evolving in 1998, moving towards something more jazzy and funky than previously. Ryan was working with Doron Orenstein, a trained jazz saxophonist, when I joined. Adding my jazzy and soulful vocals helped to further that evolution. As we continued to work together, my song writing style brought a poppier edge to the music. The biggest change I brought to the band was that I encouraged a more collaborative song writing technique.

ISOBEL: The last album was ‘ Windblown Kiss,’ released last year, so what’s the new Lovespirals’ plans for albums, tours, or remixes?

ANJI: We’ve been writing and recording new songs ever since we finished touring for Windblown Kiss, and are about half way done with an album now. Soon we need to start preparing a new live set that includes all of these new songs. Right now we’re getting together files for a remix competition of our new song “Walk Away” that PeaceLoveProductions will be putting on. We are currently seeking a label to release our next album, as well as looking into possibly doing them ourselves.

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Chain DLK Webzine Interviews Anji Bee

Interview by Shaun Hamilton

Chain D.L.K.: So what lead to the breakup of the Love Spirals Downwards project and the birth of Lovespirals? Was it the evolvement of the music or from other factors?

Anji: It’s just been a natural progression, really. The first song created by Ryan and I that came out on CD was a [drum and bass] remix of “Bittersweet” for Claire Voyant, which they [Metropolis Records] credited on the album as “Love Spirals Downwards.” That was in late 1999, early 2000, I forget exactly. By 1999 we had already recorded a few songs, so when Temporal was being assembled, we discussed including one or two of our songs with the older LSD stuff. 1999-2000 was a very transitional time. We weren’t totally sure where we were headed yet. Ryan was still very immersed in the DJ scene then, so the stuff we were working on was 10 minute dance tracks – pretty unsuitable as album material. It wasn’t really until 2001 that things clicked into place for us, as far as the album goes.

Chain D.L.K.:How did you two meet and start working on music together?

Anji: We met a few times at different places in LA. We first started talking at a little Projekt party, which both of our bands were invited to. Then we got to know each other more through a series of appearances he made on KUCI, for both my radio show and other DJs’ shows out there. One afternoon he had me come over to his studio and he showed me a few new songs he was working on. One of those became the instrumental, “Beatitude,” and the other eventually turned into “Love Survives”. The first song he had me do vocals on, though, was the club track, “Ecstatic”, which just has a little “oooh ahhh” sample. There were a lot of starts and stops when we first started working together; we were really plagued by computer problems and personal issues.

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The Women of Mp3.com Interview

Jianda Johnson interviewed Anji Bee for a feature article on the Women of Mp3.com Station.

JIANDA: How did you get into music, how long have you been making it, and when did you join Lovespirals?

ANJI: I’d say that I first got into music through my dad. One of my earliest memories is circling around the coffee table to “Here Comes the Sun,” when I was barely able to walk. I started singing very early, doing school productions from Pre-School on. Shortly out of High School I got invovled with different garage bands, doing gigs and recording 4 track demos. Strangely, I really always wanted to be a guitarist, but I’ve just never been very adept at it! I did play guitar in an industrial noise rock band for awhile, but it was a struggle for me. I played percussion in another band around that time too. It’s funny to think about those old bands now, in comparison to my work with Lovespirals. Speaking of Lovespirals, I began working with Ryan in early 1999.

JIANDA: Can you please explain the difference between Lovespirals and Love Spirals Downwards?

ANJI: When Ryan and I began working in 1999 on Drum ‘n’ Bass tunes, he was in a transitional period, unsure if he wanted to make another listening album or start releasing 12″ vinyl instead. At that time, we weren’t sure if our stuff was going to be released as Love Spirals Downwards or as some kind of side project. We were just recording songs and pressing dubplates for him to spin in his DJ sets, not sending them around to labels or trying to get them released. Then I made those tracks available online through mp3.com and folks started contacting us to include stuff on compilations, so by now all of them have been released somewhere or other, which is really cool. But I digress… It’s tremendously hard to explain exactly where or how things changed between Love Spirals Downwards and Lovespirals, because it was all just a natural progression.

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