An interview with Ryan Lum of Love Spirals Downwards by Gary Thrasher

Call it post-shoegazer, call it ethereal majesty… call it post-apocalyptic drum ’n’ bass trance… just don’t cal lit goth. Love Spirals Downwards, darlings of the Projekt label, are a blissful masterpiece of hypnotic rhythms and swirling guitars, topped off with angelic vocals… all with a tinge of dark moodiness and Middle Eastern mysticism. With their fourth album, Flux, a foray into the hazed world of melodic drum ’n’ bass, Love Spirals Downwards are poised on the brink of world dominance… it was on this cliff that I spoke with the mastermind behind the music, Ryan Lum.

How did Love Spirals Downwards come together in the beginning and how did you first become involved with Projekt Records?

It’s so long ago. Suzanne and I knew each other and we just decided to try it out… see how it worked with her singing on stuff I had made. I’d been making music for ages. I’m always just recording and making my own music, as opposed to doing the band thing. I don’t mind rehearsing for shows, but I like to record… that’s where my heart is. I sent a few demo tapes out for the hell of it. I didn’t know who Projekt was. One of my friends, the guy who shot our cover for the first album, knew someone in his art school… Susan Jennings (Projekt owner Sam Rosenthal’s former girlfriend). Somehow they got talking and she said, “Why don’t you have your friend Ryan send his tape in?” We sent a few others out, I think 4AD and Creation were the other two, and Projekt was the first and only to respond. It just evolved from that.

Love Spirals Downwards – Constantly In A State Of Flux

By Daniel Bremmer

Love Spirals Downwards has always had a problem fitting in to any specific category. As on the first artists signed to Projekt, Ryan Lum and Suzanne Perry have been lumped in the same ethereal category as label mates Black Tape for a Blue Gil and Lycia. “I think our music is somewhat melancholy. Some goths really get off on it, some don’t,” remarks Perry. A friend introduced the duo to Projekt, which at the time were a small Pasadena label which largely served to release label owner Sam Rosenthal’s band, Black Tape for a Blue Girl. “I’ve seen the piles of demos from bands that would give their left arm to be on Projekt, and we had never even heard of them. They were really small then, we were at the right place at the right time,” says Lum.

While the swirling guitars, dreamy female vocals, and lush atmospheric landscapes of their first three releases have not exactly clashed with other dark wave artists, the duo have certainly not considered themselves to be a goth band. Nowhere else has Love Spirals Downwards experienced the effects of being considered a goth band as when they perform live. With the exception of a few small shows, a majority of their performances have been promoted as goth shows. One recent example was ProjektFest 96, hosted by Coven 13 and billed as “An Evening of Gothic Music.” When remarking on Coven 13’s resident DJ, Jason Levitt’s rather unethereal and wholly uninspired teeny-bop top 40 set, Perry laughs and states that “He’ll play the same records next week, and the week after, and the week after that! As though he has not been playing them since 1985 or something? That’s pathetic. I’m embarrassed for those people.”