Category Archives: Interview

The Women of Mp3.com Interview

July 9, 2002 ryan Leave a comment

Jianda Johnson interviewed Anji Bee for a feature article on the Women of Mp3.com Station.

JIANDA: How did you get into music, how long have you been making it, and when did you join Lovespirals?

ANJI: I’d say that I first got into music through my dad. One of my earliest memories is circling around the coffee table to “Here Comes the Sun,” when I was barely able to walk. I started singing very early, doing school productions from Pre-School on. Shortly out of High School I got invovled with different garage bands, doing gigs and recording 4 track demos. Strangely, I really always wanted to be a guitarist, but I’ve just never been very adept at it! I did play guitar in an industrial noise rock band for awhile, but it was a struggle for me. I played percussion in another band around that time too. It’s funny to think about those old bands now, in comparison to my work with Lovespirals. Speaking of Lovespirals, I began working with Ryan in early 1999.

JIANDA: Can you please explain the difference between Lovespirals and Love Spirals Downwards?

ANJI: When Ryan and I began working in 1999 on Drum ‘n’ Bass tunes, he was in a transitional period, unsure if he wanted to make another listening album or start releasing 12″ vinyl instead. At that time, we weren’t sure if our stuff was going to be released as Love Spirals Downwards or as some kind of side project. We were just recording songs and pressing dubplates for him to spin in his DJ sets, not sending them around to labels or trying to get them released. Then I made those tracks available online through mp3.com and folks started contacting us to include stuff on compilations, so by now all of them have been released somewhere or other, which is really cool. But I digress… It’s tremendously hard to explain exactly where or how things changed between Love Spirals Downwards and Lovespirals, because it was all just a natural progression.

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Band News, Interview

Jive Magazine Interview and New Song

June 2, 2002 ryan Leave a comment

Jive interviewed Ryan and Anji for the music section of their print magazine. Their website also features Lovespirals interview plus an mp3 of the brand new unreleased song, “Love Survives.” Be sure to check that out at www.jivemagazine.com and if you can pick up a copy of the magazine, snatch it up now!

May 2002, Jive Magazine, Russ Marshalek

Q: When did the Ryan/Anji collaborations begin, and how did that come to be?

Anji: Ryan and I started working together late 1998, early 1999. We pretty much hooked up through my radio show on KUCI 88.9 fm. He had me come over to his studio to check out some new stuff he was working on (which later turned out to be ‘Beatitude’ and ‘Love Survives’) and I was really into it. The first two songs we did, “Ecstatic” and “Hand in Hand,’ Ryan made dub plates of; he was more heavily into deejaying at that time.

Q: Is it a 50/50 sort of artistic collaboration, with one person writing music and the other writing vocals?

Anji: We actually write the songs together. There’s no one way we compose, exactly, but lately we’ve been working from guitar and vocal lines first. I go around singing things all the time, so I’ve got a backlog of song ideas to work on whenever he’s ready. Ryan plays guitar and bass, and can hack out stuff on keyboard, so he does all of that for us. He does most of the programming, too, I pretty much just co-write and produce along side of him. I don’t really play any instruments, but I’m into sampling and looping, and know my way around ProTools and Peak, which is what we basically use.

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Band News, Interview

Lovespirals Interview on MacNETv2

April 9, 2001 ryan Leave a comment

MacNETv2, a fansite for Mac users, just posted an interview with Ryan and Anji discussing their use of Macs in music, design, and website creation. We’ll include some excerpts below:

April 2001, MacNETv2, Chris Volpe

Chris:: Do Macs enhance your creativity in any way?

Ryan: I don’t know if Macs make me more creative, but as far as computers go, they’re the least obtrusive in letting me get on with my creative work in the studio without being forced into thinking like a computer. You just point, click, drag, and don’t have to worry about anything else with regards to the computer. I see computers as a tool, a tool you use to get things done. I think Macs are by far the best platform for anyone who does music or graphics. Also for getting photos, mp3s, and video into and out of your computer, nothing can compete with Macs and all the new Apple software like iTunes, iMovie, and iPhoto. But if you’re a more nerdy C++ or ASP programmer, I’d say PCs are the way to go and a Mac wouldn’t be the right tool at all.

Chris:: Tell me some things about the new CD [Windblown Kiss] that you’d like the readers to know. How’s this recording different?

Ryan: This is the first time that I’ve had the recording quality that I’ve always wanted. The whole thing was recorded and mixed to 24 bit. In the past 4 or so years, the technology and cost have finally come together to allow truly great quality digital recordings. Still, you need to have the engineering and production skills, as well as good microphones and outboard gear, to take full advantage of it.

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Interview

Sideline April/May/June 2000 Interview

April 27, 2000 ryan Leave a comment

Ryan Lum and Suzanne Perry started imposing their own style of ethereal music back in the early nineties. Refusing to see his music getting static, Ryan has always opted for innovation, sharpening his melodies and every time enriching the mood and atmosphere of his compositions that were better and better fitting Suzanne’s lilting voice. Today, Love Spiral Downwards release a retrospective collection of rare and unreleased material on Projekt Records, the perfect occasion for Sideline to look back with Ryan on one decade of melodic sumptuousness.

By Julie Johnson

Sideline: How was Temporal a good way to start 2000 with a collection of past to present songs with never heard songs?

LSD: It was kind of nice to step back and survey the whole history of the band before beginning the new millennium— to take stock of all the work and realize that I really like a lot of what we’ve done. And there were some tracks I had done recently for things that didn’t pan out, so this was a great way to get them out on CD where people can hear them.

Sideline: How does Temporal illustrate growth and maturity in the band?

LSD: Temporal shows the progress of the music over time; the similarities as well as the differences. I notice the differences in my recording set up and gear, but that’s just my focus. People like to talk about the sound change for the band, but really, it’s been a gradual process. The music reflects the changes in our lives and interests over time, and this album kinda sums that up. We aren’t static people, and Love Spirals Downwards is not a static band; everything is merely temporal.

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Band News, Interview

RadioSpy Interview on Choler

March 17, 2000 ryan Leave a comment

March 17, 2000 RadioSpy Interview by Sean Flinn:

Indie goths gone electronic, LSD’s sound now sketches its past while tracing its future.

“We’re the first and only for a lot of things on Projekt,” says Ryan Lum, the multi-instrumentalist and driving force behind Love Spirals Downwards, darkwave label Projekt Record’s top-selling act. Lum is sipping on a soda in a RadioSpy conference room and choosing his words carefully. He’s speaking of his band’s use of saxophone riffs on a song from its latest release, Temporal, a career retrospective that includes a number of unreleased tracks. Lum was concerned that Sam Rosenthal, Projekt Record’s sometimes finicky founder, might be less than enthusiastic about the sax track.

“[Rosenthal] actually made a positive comment about the saxophone. He said, ‘You know, it fits somehow,” recounts Anji Bee, Ryan’s self-described “partner-in-crime” and recent collaborator on everything from album art to vocals. Lum’s experimentation — with his sound and with the band’s direction — initially met with grudging acceptance from Rosenthal, who eventually warmed to the band’s new sound.

“It’s not his cup of tea,” Lum says of Rosenthal’s reaction to the band’s shift in sound from “shoegazer,” the ethereal style of feedback- and synth-drenched pop defined by British bands like My Bloody Valentine, Slowdive and the Cocteau Twins, to drum ‘n’ bass. “But we more or less have artistic freedom to do as we please. I guess being the top seller on the label doesn’t hurt us in that,” Lum says with a chuckle.

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Band News, Interview

Keyboard November 1999 Feature

November 1, 1999 ryan Leave a comment

BEAUTY AND THE BREAK

by Markkus Rovito

Ryan Lum may have tamed the breakbeat. His duo with vocalist Suzanne Perry, Love Spirals Downwards, has turned out three brilliant albums of majestic, guitar-wash dream-pop on the Projekt label, rife with heavenly ballads that conjure images of exotic cultures. But on Flux, the group’s fourth album, Lum adds breakbeats to the mix without compromising the band’s signature sound.

A follower of the dance music scene since the acid house of the late ’80s, Lum had wanted to do a more electronic Love Spirals Downwards album for years, but never found the right style. “When I first heard the more ambient, ethereal breakbeat stuff, I was amazed,” he says. “I haven’t heard music that moved my soul like that in years.” So when work began on Flux, the multi-instrumentalist/producer built many of the tracks on breakbeat foundations. “I’m used to making pop songs, like an A section, a B section,” Lum says, “but half the songs on Flux don’t follow that traditional pattern. It’s like having all these different parts and having them make sense as they flow together.”

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Band News, Interview

Sony Soudbyte Winter 1999 Issue

November 1, 1999 ryan Leave a comment

LOVE SPIRALS DOWNWARDS FOUNDER RYAN LUM DISCUSSES USING THE SONY MDM-X4 FOR THE BAND’S LATEST ALBUM, FLUX.

I got the MDM-X4 mainly to record vocals, figuring that four tracks of audio would be plenty for our vocal tracks. But soon after I started using the MDM-X4 for recording Suzanne Perry’s vocals, it became apparent to me that I could get much more out of this unit than I first thought I could from a 4-track recorder. By planning my editing, I found I could free up a track or two, which then gave me ideas to add more guitars to many of the songs, which I did. Using the MDM-X4 gave me more creative options with my guitars, which in the end helped make the songs better.

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Band News, Interview

Losing Today Sept 1999

September 4, 1999 ryan Leave a comment

THE DARLINGS OF PROJEKT
Interview & photos by Anji Bee

Love Spirals Downwards are known as the darlings of Projekt Records. And with just cause; they are the best selling band, with the hottest moving new release of Projekt for 1998, “Flux.” This latest of 4 popular full-length albums marks a turning point in the band’s ever-fluxing sound. Whereas the last album, “Ever,” showcased several electronic-based songs in the mix, “Flux” concentrates almost completely on the electronica side of band mastermind, Ryan Lum’s musical influences. There has been some slight controversy over LSD’s “sound change” and band member relationships, but all of that seems ludicrous to the mellow, well adjusted Lum. He’s always created the music for Love Spirals Downwards using whatever inspiration happened to hit him, be it a fine dining experience, an exotic vacation, a shamanic vision, or just simply a new piece of gear to fiddle around with. Although a philopsher at heart, searching for his own personal truth in life, Ryan isn’t a terribly serious artist with an attitude or an agenda. He just likes to make music like anybody else does, for the fun of it.

Anji: What are you working on now?
Ryan: I’m working on getting live stuff together for us to do some shows soon. Not sure where or when yet, but you can check our web site for updates on that at the Projekt web site. I personally update our news, so there’s no rumors — everything is confirmed and absolute and will happen.
Anji: Playing live is not a usual occurrence for Love Spirals Downwards…
Ryan: We usually play a few shows a year. I don’t know what happened last year; we only played one — the Projekt Fest in L.A., at the El Rey. That’s why I always tell people not to flake out on us; ’cause you don’t know when — or even if — we will play next.
Anji: It’s always difficult to take such a studio based project to the stage.
Ryan: Yeah. The way we work is kinda backwards. Most bands typically have a song first, then they go into the studio and record it. We’re the total opposite of that. We have no song first. I just start messing around in my studio, coming up with ideas, and at the end of a long process, finally, a song emerges. So, it’s kinda weird. We don’t rehearse ever, a song just gets created, almost through chance accident and goofing around.
Anji: It’s mostly just you, isn’t it?
Ryan: Yeah, pretty much. Yeah.
Anji: You’re the man!
Ryan: I am. (Laughs) I put a lot of work into it. Yeah. It takes me a long time to make a record.

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Band News, Interview

Interview in Outburn #8, Jan 1999

January 15, 1999 ryan Leave a comment

An interview with Ryan Lum of Love Spirals Downwards by Gary Thrasher

Call it post-shoegazer, call it ethereal majesty… call it post-apocalyptic drum ’n’ bass trance… just don’t cal lit goth. Love Spirals Downwards, darlings of the Projekt label, are a blissful masterpiece of hypnotic rhythms and swirling guitars, topped off with angelic vocals… all with a tinge of dark moodiness and Middle Eastern mysticism. With their fourth album, Flux, a foray into the hazed world of melodic drum ’n’ bass, Love Spirals Downwards are poised on the brink of world dominance… it was on this cliff that I spoke with the mastermind behind the music, Ryan Lum.

How did Love Spirals Downwards come together in the beginning and how did you first become involved with Projekt Records?

It’s so long ago. Suzanne and I knew each other and we just decided to try it out… see how it worked with her singing on stuff I had made. I’d been making music for ages. I’m always just recording and making my own music, as opposed to doing the band thing. I don’t mind rehearsing for shows, but I like to record… that’s where my heart is. I sent a few demo tapes out for the hell of it. I didn’t know who Projekt was. One of my friends, the guy who shot our cover for the first album, knew someone in his art school… Susan Jennings (Projekt owner Sam Rosenthal’s former girlfriend). Somehow they got talking and she said, “Why don’t you have your friend Ryan send his tape in?” We sent a few others out, I think 4AD and Creation were the other two, and Projekt was the first and only to respond. It just evolved from that.

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Band News, Interview

Fix Magazine #24, 1998

September 14, 1998 ryan Leave a comment

Love Spirals Downwards – Constantly In A State Of Flux

By Daniel Bremmer

Love Spirals Downwards has always had a problem fitting in to any specific category. As on the first artists signed to Projekt, Ryan Lum and Suzanne Perry have been lumped in the same ethereal category as label mates Black Tape for a Blue Gil and Lycia. “I think our music is somewhat melancholy. Some goths really get off on it, some don’t,” remarks Perry. A friend introduced the duo to Projekt, which at the time were a small Pasadena label which largely served to release label owner Sam Rosenthal’s band, Black Tape for a Blue Girl. “I’ve seen the piles of demos from bands that would give their left arm to be on Projekt, and we had never even heard of them. They were really small then, we were at the right place at the right time,” says Lum.

While the swirling guitars, dreamy female vocals, and lush atmospheric landscapes of their first three releases have not exactly clashed with other dark wave artists, the duo have certainly not considered themselves to be a goth band. Nowhere else has Love Spirals Downwards experienced the effects of being considered a goth band as when they perform live. With the exception of a few small shows, a majority of their performances have been promoted as goth shows. One recent example was ProjektFest 98, hosted by Coven 13 and billed as “An Evening of Gothic Music.” When remarking on Coven 13’s resident DJ, Jason Levitt’s rather unethereal and wholly uninspired teeny-bop top 40 set, Perry laughs and states that “He’ll play the same records next week, and the week after, and the week after that! As though he has not been playing them since 1985 or something? That’s pathetic. I’m embarrassed for those people.”

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Ethereal Shoegaze and Electronica from Projekt Records and Chillcuts