Category Archives: Interview

Acoustic Guitar Interview

SOUND SPIRALS UPWARDS

By Bryan Reeseman

“ONE THING I LIKE ABOUT OUR NEW album is that it’s almost impossible to categorize with any of the conventional musical categories,” declares Ryan Lum, guitarist and keyboard player for Love Spirals Downwards. “There are really folky songs, really electronic ambient dance songs, and then these weird, loopy psychedelic songs. I think it all works together really well. It isn’t a huge shock from one to the next.”

Lum and vocalist Suzanne Perry create a lush, inviting sonic template on their third and newest album, Ever. Important components to their sound are Perry’s beautiful, dreamy vocals, Lum’s delicate, sometimes cryptic acoustic six-string melodies, and their integration of swirling keyboards and subtle effects, all of which produce a captivating kind of romantic, ethereal folk.

Live, Lum uses two tunings: standard and E A D G A D, a variation on D A D G A D. “Instead of my first note being D, it’s E,” he says. “That way, all the strings are tuned normally except for the high two strings, so I can fret chords on the low strings as I normally would and have all those drones on the top two strings.”

Continue reading Acoustic Guitar Interview

Daily Freeman, Nov 29, 1996

LOVE SPIRALS DOWN IS DECIDEDLY UNUSUAL

By Phillip H. Farber

Love Spirals Downward is only nominally a band. Really, they are something of a recording project undertaken by the duo of Ryan Lum and Suzanne Perry, just having fun with their music in a home studio. The result, though, has been three albums of atmospheric, ethereal music that has the ability to transport the listener in remarkable ways.

“We develop it and do it all at home,” explains Lum. “We’ve got our own home recording studio. We’ve had it for years and have just been growing and expanding it. We’re pretty well equipped to do it all at home. In fact, the way we write, too, we have to do it at home. We don’t make up 10 or 11 songs and say, ‘Okay! Time to go to the studio and record all the songs!’ I’ll have some rough sounds or ideas and I’ll record them down on tape or into the sampler, and from there I’ll start getting more ideas. It will build from what I previously recorded. That wold be a very costly, practically impossible, thing to do in the studio. We would be racking up the kind of budget of ‘Sgt. Pepper’s’ or something like that.”

Their first two albums, Idylls and Ardor, were critically acclaimed, and even if this isn’t exactly the stuff of Top 40 hits, they developed a solid following. Ever, their latest efforts, will likely take these musicians even farther, although that may not have been their intention in recording it.

“I really loathe the music business,” Perry exclaims. “I really don’t think about it. I hope people have a good experience — or a positive experience — but beyond that I don’t expect people to get much from it. That’s not my intention when I make it. I don’t even know why I do it. It’s fun for me. It’s fun. When you get past that, you get into trouble. Nobody ever experiences anything like you want them to. And who am I to want people to experience in a certain way? Beyond that, I can’t even control that… I can’t control if people are going to buy it, or even care about it.”

Continue reading Daily Freeman, Nov 29, 1996

The News, Vol XLVI NO. 232, Feb 29. 1996

U.S. Avante Garde Duo To Play D.F.

By Jose Fernandez Ramos, The News Staff Reporter

Love Spirals Downwards is one of those alternative bands whose music tends to attract a cult following.

What has happened to this Los Angeles duo, featuring Suzanne Perry (vocals) and Ryan Lum (guitars, electronics), is interesting and sometimes funny.

“One time a magazine requested an interview thinking that we would have a lot to say about LSD, because of the band’s name.” Perry says. “When they found out we have never tried it they lost interest.”

Although many fans attribute the duo’s music with spiritual, mystic and even healing powers, and critics have labelled their work with adjectives as diverse as “dark ethereal,” “gothic,””dream pop,” “angelic,” “Avant Garde,” “ambient,” etc., this young duo put things very simply.

“We just compose music without any specific intention,”Lum says.

The couple talked to The News Wednesday at Museo del Chopo, the gothic museum where the band’s only show in Mexico will take place Thursday.

“We don’t consider ourselves typical musicians, so we don’t think and act as typical musicians.” Perry says. “Many people think music is something more than music, like money, fame, clubs, the industry. But we just like what we do, the way we do it.” 

Love Spirals Downwards will share the space with Mexican duo La Divina Comedia (also a couple), which produces music very much in Spirals’ style.

The staples of the duo’s music are guitar lines distorted through electronic equipment for effects that often sound more like a synthesizer or keyboard. This surreol audio backdrop is complimented by Perry’s extraordinary soprano voice which has been honed to a finely funed instrument. However there is enough freedom and space for experimentation. 

“We try to add new elements, sounds, and instruments every time,” Lum says.

With two succesful albums out — ”Idylls”(1992) and “Ardor” (1995)– through Projekt Records, and pieces on several compilation albums, the band is already working on the recording of a third work. Some of those new compositions will be premiered at the concert. 

With its towering spires and stained glass, the Museo Del El Chopo seems a perfect atmosphere for such a performance. 

“This is such a beautiful place, it makes me want to sing here by myself at night. I hope the birds sing here at night as well,” Perry said. 

Music videos of similar vanguard styles will be shown before the live performance, and special stage and lighting designs will also form a part of the event, according to organizers.

 “This is a cultural and aethetic event more than a show business thing,” organizer Arturo Saucedo said, “This is not money making or party time. We want to create a movement and an audience for this kind of show.”

Love Spirals Downwards know that they can become as big as any commercial mainstream band, “if we change our style,” they say. But they are not interested, claiming “we don’t do it for the money.” Their recording studio is at home, in the bedroom, where most of the composition also takes place.

Outside of a cult fan movement, irrespective of the labels placed on it, the music of Love Spirals Downwards is worth listening.

The Ninth Wave: A Journal of Nocturnal Culture #5 Spring/Summer 1995

While the beautiful sounds of California’s Projekt Records have almost become a genre of their own, it was back in 1992 that I first discovered the label, through a compilation entitled From Across This Gray Land 3. The album’s opener was a lush combination of dreamy, swirling guitar and blissful vocals, and I was instantly hooked. That song was “Mediterranea” by Love Spirals Downwards.

The duo of Ryan Lum and Suzanne Perry have since released two successful albums on Projekt, 1992’s Idylls and, most recently, Ardor. LSD is perhaps one of the few bands linked to the ’80s 4AD sound that are actually worth discovering. Knowing how painfully quiet and difficult some ether-celebs are to interview (Mazzy Star, Cranes) I worried a bit about these two. A quick call proved my fears unfounded; they were both delightful and eager to discuss their band. In fact, Suzanne put me at ease instantly with the simple phrase: “Wow, a female interviewer, how nice.” She then went on to recount her memories of beach harassment. But that’s another story.

I began my probe with the most obvious queries about their background, musical and romantic.

“We grew up in the same area of California,” explained Suzanne. “But we didn’t know each other until we started dating. We were both doing music, but I never thought I would make a career out of singing. We decided to try doing a couple of songs together, so we went into the studio and recorded a three-song demo.”

Continue reading The Ninth Wave: A Journal of Nocturnal Culture #5 Spring/Summer 1995

Ink Spots #19, April 1995 Interview

By Andrew Chadwick

Love Spirals Downwards create haunting tapestries of beautifully layered ethereal guitars and stirring, golden female vocals which seem sometimes like a shaft of sunlight making its way through the smoky gloom. Their debut album, Idylls, invited listeners into their shimmering world. With Ardor, their second release for Projekt, Love Spirals Downwards seem to have become more comfortable with their listeners and embrace them with their bare souls. In February, I spoke with the two members of Love Spirals Downwards, Ryan Lum and Suzanne Perry, about the change between albums, the band, and their impending tour.

Idylls seems a lot darker than Ardor.

Ryan: That’s interesting, because some people who we showed Ardor to before it came out said, ‘It’s not that different,’ and other people said, ‘You guys have really changed a lot.’

Your fundamental style has stayed the same; I think it’s just your approach.

Suzanne: Yeah, it’s definitely a little lighter – not much lighter, though.  You couldn’t describe it as light, but when you compare it to Idylls, its kind like one step about suicidal, you know… (Laughs)

Ryan:  I don’t think it’s suicidal.

Continue reading Ink Spots #19, April 1995 Interview

Fond Affexxions Issue 5 Winter Thaw 1995

SHORTTAKES LOVE SPIRALS DOWNWARDS

By R. Rusvic

You know how when you’re a kid and you get out of the swimming pool? This tea smells like that,” explains Suzanne Perry, LSD’s vocalist. She passes the cup to guitarist, Ryan Lum, and then onto myself and we agree, amazed at the purity of her asseement. We’ve gathered in the duo’s comfortable Westside apartment to discuss the release of ‘Ardor,’ their second full length record. Nearly two years have passed since the band’s debut, ‘Idylls,’ and the band has progressed admirably. One thing that strikes the listener as different is an ongoing sense of unity within ’Ardor,’ an intangible, um, concept.

It dawned on me as I was finishing the album that the way I was mixing the song somehow tied them all together,” says Ryan.

It has more of a sense of worldliness than the previous record,” reveals Suzanne. “When I was singing, I tried to be more personable.” 

Continue reading Fond Affexxions Issue 5 Winter Thaw 1995

Carpe Noctem Vol. 2, Issue 1, 1995

“Into a Well of the Looking Glass” by Aaron Johnston

I was always involved with the ethereal music scene, but never to the degree where it became a driving passion. The nature and tone of the music was, in essence, a very articulate reflection of who I was in self, but there were simply no bands I knew of pushing the sound beyond its gates to a point of unavoidable adoration on my part. It wasn’t simply a matter of finding the perfect band, but of finding the perfect window. Through time and dedication, any group could eventually release an album with the most delicately perfect instrumentation and ideally placed melodic trim, but what is it if there is no decisive emotional push behind it? This question was at the forefront of my mind for many years, and was finally answered one evening as I sat down to listen to a prodigal young instrumentalist named Ryan Lum conspire with an astonishingly angelic vocalist named Suzanne Perry under the name Love Spirals Downwards.

Within a matter of moments, the two managed to capture a well of feelings and affections wrought with a long-held yearning for excommunication and deliverance; a subtle and pure exorcism of the soul. I always thought this kind of experience was a bit too “new age” to be truly revealed to anyone living in the real world, but I was disproved time and time again with each successive listen. I was, in all honesty, baffled by the two arms which were weaving me through the first stages of my spiritual and emotional re-education. Ryan and Suzanne had me wrapped around their fingers, plain and simple. Rather than a feeling of manipulation, however, I was a willing participant. Although it was the effort of two, the group worked almost in a doubled unison. I was traded between Ryan’s deep guitar and keyboard exchanges and Suzanne’s beautiful vocal raptures time and again with abandon. In essence, it felt as if I were being led along by a single hand with two separate bodies, two distinct minds thinking and reacting as one.

Continue reading Carpe Noctem Vol. 2, Issue 1, 1995

B-Sides July/Aug 1995 Feature Interview

“Ecstasy of Angels: Love Spirals Downwards” By Rossi Dudrick

Winged for an astral Odyssey, you’ll soar on a freed soul fantasia, where elation and melancholy are locked in epoch embrace. A sweet chanteuse’s vocals seem to sweep over misty moors, while guitar chords fall like shimmery sunlight on deep pools of tranquility. The height of your ascension is up to you, for even a modern day Icarus now has a second chance.

Although Love Spirals Downwards’ music seems to flow from a wellspring of divine inspiration, the creators of these soft-focus mood montages have no stigmatas flooding their teacups.  Such cameo apparitions burst like soap bubbles upon meeting the diaphanous duo, vocalist Suzanne Perry, and guitarist Ryan Lum.  In the midst of a torrential downpour, they look like two fresh-faced college kids on a tailgater’s rush indoors for safe harbor more than members of the ethereal’s exotic elite.

Over a rainy day breakfast in a ‘50’s time warp diner, the pertinent debate of the moment is omelets vs. blueberry pancakes.  It’s unanimous; stacks of belly whopping blues all around!  Hunger pangs aside, Suzanne and Ryan exude an easygoing warmth and unpretentiousness that sparks candid rapport. “Most people are surprised that we’re down-to-earth, normal people, always joking and really practical; not head in the clouds types,” emphasizes Suzanne. “But what confounds most people is how little time I spend thinking about my music, or think[ing] of myself as a musician.”

Continue reading B-Sides July/Aug 1995 Feature Interview

Tear Down the Sky: The Big Music Issue 1993 Interview

I received Idylls in the mail from Projekt and put it in my CD player… After commenting on it being better than anything the Cocteau Twins have done since Lullabies, a friend angrily takes it out. But it’s true. The intensity quickly lost by the ‘C-word’ is present ten-fold here… LSD have released a CD on the increasingly amazing Projekt label, entitled Idylls, in addition to a contribution to the Fifty Years of Sunshine comp. and a flexi from Altered Mind, an LA based ‘zine. Upcoming plans include a track on the Black Tape cover CD and a second CD. All can be acquired by writing Projekt: Darkwave… Luckily I used my summer’s journey across this “Grey Land” of ours (pun intended) as an opportunity to meet with friends old and new and spent a wonderful afternoon with Ryan and Suzanne of Love Spirals Downwards… Here are some extractions from our very informal interview…

r = Ryan

s = Suzanne

m = me

We’ll skip the babble about early Ministry…

r: I’m mad. I just realized we’re going to miss Taco Bell tonight.

m: A friend of mine asked me where I wanted to eat lunch today and , of course, I said that I had to eat at Taco Bell. It’s the fast food chain of choice for both of us. The Projekt crew are down with Taco Bell.

r: We used to have a thing for Subway earlier in the year. The Veggies and Cheese six inch is $1.99 and when the Cold Cut Combo goes on sale it’s $1.49, so when I was living in Santa Barbara I would buy the Cold Cut Combo because it was 50 cents cheaper and I’d go out and find a homeless person and give the meat to them. So look at this, I’m saving money and I’m happy, and I’m giving food to a homeless person.

Continue reading Tear Down the Sky: The Big Music Issue 1993 Interview

Fond Affexxions Version 1.2, Indian Summer 1993

IDYLLS:

Fond Affexxions: This CD of yours. Idylls  was your first recorded piece, and I was very impressed. As far as how it came out… Were you happy with it? Did it come out as you intended? 

Suzanne Perry: After working on it as long as we did, you really don’t want to hear it anymore (Laughter), so think we stopped listening to it for a couple of months. Then when we started listening to it again, it came out better than we thought it did. I mean, every time we finished a song. I thought. God, what an awful song. Let’s not use that one…  In retrospect, after that’s worn off, we like it. I like it better now. 

Ryan Lum: After the CD came out (a couple months later ahead), I started liking it more. Even when I finished mixing it, it pretty much came out like I wanted it to. It wasn’t a disaster or anything. 

Suzanne Perry: We didn’t have a DAT machine before, so we had to mix it all at once. 

Fond Affexxions: You mixed it all and then bumped it to DAT? 

Ryan Lum: No, no… over about three weeks we mixed it down… I guess that’s a long time. I was kinda nervous having it for three weeks!(Laughter) 

Continue reading Fond Affexxions Version 1.2, Indian Summer 1993