MusicTap made a little write up about our very soon to be released album, Life Goes On.

Since 1992, the genesis of the current Lovespirals began a recording career as Love Spirals Downwards (Ryan Lum and Suzanne Perry) with four exquisite recordings (Idylls – 1992, Ardor – 1994, Ever – 1996, Flux – 1998), all on Projekt Records. After a short hiatus, the band regathered with a new vocalist by the name of Anji Bee, and released four additional excellent sets (Windblown Kiss – 2002, Free & Easy – 2005, Long Way From Home – 2007, Future Past – 2010) as Lovespirals. After a long, long break from recording as a duo (Anji Bee released a solo album, Love Me Leave Me, back in 2013), the Lovespirals iteration will deliver their fifth album, Life Goes On, with a collection of ten new songs written by the pair. Having been a fan from the beginning, I’m excited for this new collection of music from Ryan and Anji.

— Matt Rowe

Head over to MusicTap to read the full article.

To our great surprise, Gothic Beauty included a review of Lovespirals’ 2010 album, Future Past, in the latest issue of their 80 page glossy color magazine. Gothic Beauty Issue 33 is available now at Barnes & Noble, Borders, Hastings, Chapters, Walden Books, Book World, Sheltam Books and Copperfield’s Books – or directly via gothicbeauty.com. Reviewer Michael writes, in part:

“This album is designed for chill atmospheres. It reminds me of late nights at the bar and a jukebox loaded with good music. The song “Rain” is not to be missed — I’ve fallen in love with the song and want to have the song’s babies.”

Re:Gen online magazine review of the latest Lovespirals album:

Ryan Lum and Anji Bee go big on their fourth full-length album, adding ‘70s blues and progressive rock elements to their chilled out soul-tinged electronica.

Their fourth album together is a step into a bigger sound for Ryan Lum and Anji Bee. The duo’s fascination for ‘70s soul and jazz is amplified in Lum’s production, with the Rhodes piano that gave 2007’s Long Way from Home so much of its signature warmth joined by lush, almost disco-tinged strings on the languid, smokey “Rain” and the laidback but funky “Water Under the Bridge.” The guitars are bigger too, the spaced out progressive instrumental “Meanwhile, Irreplaceable Time Flees” segueing into the wah-wah-laced soul of “Insignificant.” Bee’s voice is stronger, more mature, and more powerful this time around as well; Lum and Bee have a reputation for love songs, but “Feel So Good” and “Shine” are positively lusty, highlighting both Bee’s range and her sensuality. The real standout on this album, though, is “Home,” which is more reminiscent of earlier Lovespirals songs in its cozy romantic vibe but features the best singing the pair have ever recorded, with subtle multi-tracking enhancing an already impressive vocal showing.

Continue reading Re:Gen Mag Reviews Future Past →

By Matthew Johnson

On their third album, Lovespirals shift away from overt electronica in favor of beautiful, understated folk and blues ballads.

If sophomore album Free and Easy saw Lovespirals’ sound at its biggest, Long Way from Home is the duo’s most intimate, forsaking house beats and jazz flourishes for understated slide guitar and acoustic strums. Ryan Lum’s production is more mature than ever before; unless you really listen for it, you won’t be able to tell that he plays and records all the instruments himself – maybe not even then – and the drums sound warm and clear, betraying no hint of sampler or sequencer. Instead, Lum lets his arrangements take center stage, with emotive guitar solos harmonizing with electric organ on the bluesy ballad “Once in a Blue Moon” and relaxed acoustic strums highlighting jazzy piano chords on “Nocturnal Daze.” Anji Bee’s vocals are beautifully languid, the sweetness swathed in melancholy on the plaintive “Caught in the Groove,” adorned by floating background harmonies on “Treading the Water,” and sensual yet dreary on the pair’s stark rendition of classic spiritual “Motherless Child.” Fans of the pair’s more overtly romantic material will appreciate unabashed love song “This Truth,” and there’s even a hint of the ethereal dreaminess of Lum’s previous project, Love Spirals Downwards, on the fuzzy overlapping guitar tones and meandering vocals of “Sundrenched” and “Lazy Love Days.”

It’s not an understatement to call Long Way from Home the duo’s most accomplished work up to date; as enjoyable as their previous explorations of laidback electronica and jazz fusion have been, this album captures Lum and Bee’s warm musical chemistry in a way that previous releases only hinted at.

View the original review at Re:Gen Magazine.

Opus Zine has reviewed the Blisscent 1 compilation CD on their website. I was just going to post the bit about Lovespirals’ track, “He Calls Me,” however it only make sense in the context of the commentary preceding:

Alcian Blue’s track just feels a bit clumsy. The recording quality feels lacking, resulting in the whole song sounding rather flat. Unlike Skywave, where the lo-fi recording actually adds to the over noise assault, here it just makes what might otherwise be a decent song rather plodding.

However, there are no such complaints with Lovespirals’ “He Calls Me.” Formerly know as Love Spirals Downwards, Lovespirals features a new vocalist and a slightly different direction. Gone are drum and bliss textures of Flux, instead hinting back the group’s earlier releases, such as Ardor. Spanish-tinged acoustic guitar work and light drums provide the perfect setting for Anji’s beautiful vocals. Even more interestingly, the lyrics point at the song’s more spiritual origins: “His voice is like a song/I hear the melodies/So I learn them, write them down/So I can play them/Let them understand you are in everything we do/Show them your glory.”

— Jason Moore, Opus Zine

Website and radio station, Gothic Paradise, announced in their latest newsletter: “Added a review and information on the debut album from the newly formed Lovespirals, featuring the almost legendary, multi-talented Ryan Lum of Love Spirals Downwards fame. Combined with Anji Bee’s musical talents and beautiful voice, they’ve managed to create a very captivating sound. Their style reflects only vaguely Ryan’s previous work as Love Spirals Downwards and takes on a more Jazzier tone with touches of Flamenco, Folk and other genres. I like to compare them to the latest release from The Cranes — dreamy and experimental — and Julee Cruise — Ethereal and Jazzy. Great stuff and one of the latest releases on Projekt Records!“

Lovespirals Windblown Kiss Projekt (2002)

I’ve been waiting for this release for a long time and it’s been well worth the wait. I, like other fans of Love Spirals Downwards wasn’t sure of what to expect with this release. I had heard a little bit about it and had a listen of “Dejame” early on before the release. Also being a fan of Julee Cruise and hearing that similarity, I knew I was going to enjoy this album.

Combining so many instruments, different guitars, various styles including Flamenco, Jazz and a bit of Ethereal, everything comes together almost perfectly. The beginning track “Oh so long” really sets the somewhat melancholic yet jazzy mood for the album. The follow-up track “Dejame” is my favorite from this work of art. The Spanish lyrics are pensive and Anji’s vocals are beautiful and thought-provoking. There are some upbeat tracks that have an overall happy mood to them such as “He Calls Me”. “Windblown Kiss” is probably the track that can most closely be compared to the more Gothic Ethereal style with the acoustic elements and the overall dreamy feeling you get while listening to it, another favorite of mine.

Some other great points about this album are the additions of saxophone by Doron Orenstein. Also, the addition of male vocals by Sean Bowley on several tracks. There are other contributions by these artists and others with the entire production, including mastering by Robert Rich. Such a combination of musical styles and instruments along with the talents of this duo is just outright innovative and enjoyable. I think a wide audience will really enjoy this album. I give it a 4 1/2 out of 5 rating, not quite perfect, more for my own tastes than for any flaws in the music.

— Jacob Bogedahl

See the Gothic Paradise band bio for Lovespirals at: http://www.gothicparadise.com/lovespirals.htm 

Also be sure to check out Gothic Paradise’s Ethereal channel radio programming!

Another review of our new album came online.

An outgrowth of the Gothic dreampop band, Love Spirals Downwards, Lovespirals cast aside much of the previous incarnation’s psychedelic gloom while retaining its romantic angst. The airy arrangements and acoustic guitars put a new spin on the kind of emotional claustrophobia at which LSD was so adept.

“And it’s oh so long to wait/I lack the patience/Give me strength” Bee sighs in “Oh So Long” as she waits to be reunited with her lover; “Swollen Sea” and “I Can’t See You” also look for beauty in the pain of lost love. But Bee and Lum don’t forget joy: “Our Nights,” “He Calls Me” (which adds an overt spiritual dimension to the proceedings) and the title tune celebrate love instead of dreading it.

Interestingly, Lum and Bee invite guitarist/songwriter Sean Bowley from Eden to contribute vocals and lyrics to two cuts; the results are strong Gothic folk/pop songs, but they don’t fit with the rest of the record. Still, those songs don’t detract from an otherwise consistently beautiful treatise on romantic expression.

For fans of: the Cardigans, Cousteau, Everything But the Girl

— Michael Toland, High Bias

Get your copy of Lovespirals’ ‘Windblown Kiss’ CD from Projekt.com today!

Staffer Kevin’s Top Ten Picks for 2001

“2001: 10 Best From a Year of Blood and Fire”
The Chinese curse about interesting times comes to mind when reviewing 2001: so does the line about rough beasts slouching toward Bethlehem. For much of 2001 world events made it difficult to concentrate on silly things like music and entertainment. Still, there were some excellent releases this year, as Gothic and Industrial Music lurched into the 21st century.

10/9 Tie: Lovespirals Ecstatic (Projekt) & Claire Voyant  Time Again (Metropolis) 

As synthpop’s rise led inexoribly to its decline, some Gothic/Industrial artists have started looking toward other avenues of inspiration. On these releases, Lovespirals and Claire Voyant provide tasty Illbient and Trip Hop influenced grooves and give us a harbinger of Goth’s Next BigThing.

(Ed. note: it should be noted that “Time Again” includes a track remixed by Lovespirals.)