The News, Vol XLVI NO. 232, Feb 29. 1996

U.S. Avante Garde Duo To Play D.F.

By Jose Fernandez Ramos, The News Staff Reporter

Love Spirals Downwards is one of those alternative bands whose music tends to attract a cult following.

What has happened to this Los Angeles duo, featuring Suzanne Perry (vocals) and Ryan Lum (guitars, electronics), is interesting and sometimes funny.

“One time a magazine requested an interview thinking that we would have a lot to say about LSD, because of the band’s name.” Perry says. “When they found out we have never tried it they lost interest.”

Although many fans attribute the duo’s music with spiritual, mystic and even healing powers, and critics have labelled their work with adjectives as diverse as “dark ethereal,” “gothic,””dream pop,” “angelic,” “Avant Guarde,” “ambient,” etc., this young duo put things very simply.

“We just compose music without any specific intention,”Lum says.

The couple talked to The News Wednesday at Museo del Chopo, the gothic museum where the band’s only show in Mexico will take place Thursday.

“We don’t consider ourselves typical musicians, so we don’t think and act as typical musicians.” Perry says. “Many people think music is something more than music, like money, fame, clubs, the industry. But we just like what we do, the way we do it.” 

Love Spirals Downwards will share the space with Mexican duo La Divina Comedia (also a couple), which produces music very much in Spirals’ style.

The staples of the duo’s music are guitar lines distorted through electronic equipment for effects that often sound more like a synthesizer or keyboard. This surreol audio backdrop is complimented by Perry’s extraordinary soprano voice which has been honed to a finely funed instrument. However there is enough freedom and space for experimentation. 

“We try to add new elements, sounds, and instruments every time,” Lum says.

With two succesful albums out (”Idylls”(1992) and “Ardor” (1995)) through Projekt Records, and pieces on several compilation albums, the band is already working on the recording of a third work. Some of those new compositions will be premiered at the concert. 

With its towering spires and stained glass, the Museo Del El Chopo seems a perfect atmosphere for such a pertormance. 

“This is such a beautiful place, it makes me want to sing here by myself at night. I hope the birds sing here at night as well,” Perry said. 

Music videos of similar vanguard styles will be shown before the live performance , and special stage and lighting designs will also form a part of the event, according to organizers.

 “This is a cuftural and aethetic evert more than a show business thing,” organizer Arturo Saucedo said, “this is not money making or party time. We want to create a movement and an audience for this kind of show.”

Love Spirals Downwards know that they can become as big as any commercial mainstream band, “if we change our style,” they say. But they are not interested, claiming “we don’t do it for the money.” Their recording studio is at home, in the bedroom, where most of the composition also takes place.

Outside of a cult fan movement, irrespective of the labels placed on it, the music of Love Spirals Downwards is worth listening.

News Update

Sorry it’s been awhile since our last update. We’ve been very busy with many different things, one of which was our short ‘tour’. After a show in Seattle last Spring, we did a 3-show tour in August and September of Boston, Philadelphia, and New York, followed by a show in Los Angeles. Many thanks to Pat Ogle at Projekt for making that happen! Being a studio-band and not having played live before, much to our surprise we had a great time doing these shows. It was especially nice to be able to meet some of you who write us! We hope to do more next year. And, we are tentatively set for doing one last show this year in Los Angeles again at the Troubadour on December 16.

Also, we are in the middle of recording and mixing a new album (still untitled), which will hopefully be released in the Spring of 96 depending on when we finish. In the meantime, we released a new track, a cover of ‘Welcome Christmas from Dr. Seuss’ How the Grinch Stole Christmas’, on the new Projekt CD called ‘Excelsis’.

I also wanted to let you know that there’s a desecent mailing list called ‘4AD-L’. In addition to bands on its its namesake 4AD, other related music such as ourselves and a few other Projekt artists are often discussed and reviewed. To subscribe, send email to 4ad-l@listserv.american.edu, and type “subscribe 4AD-L” .a . We will try to post new information regarding our shows and releases in their News section.

LSD News & Tour Dates

There’s been a lot happening with Love Spirals Downwards this year.  There’s a nice article on us in the July/August issue of B-Side magazine, as well as a smaller article in the latest issue of Fond Affexxions.  And, we are currently recording and mixing new material, hopefully releasing a new full length next Spring.  Also, we have just finished a track that will be on the upcoming Christmas/Winter Holidays CD from Projekt.

And, we have some upcoming acoustic shows (finally we’ve been persuaded to leave the safety of our studio).  For the East Coast, we are confirmed for the following:

• Boston- Thursday, August 31 at TT The Bear, 10 Brookline Street, Central Sq., (617)-492-BEAR

• Philadelphia-Friday, September 1 at Asylum, 1517 N. Delaware Ave, (215) 427-1087

• New York- Saturday, September 2 at Batcave, 251 W. 30’th between 7’th and 8’th.  (212)-695-2747

For the West Coast, we recently played a fun show in Seattle with Faith & Disease and Trance to the Sun.  In California, we are tentatively set to play in Los Angeles on September 21, and San Diego in late August.  Be sure to call the Projekt info/tour line at (818) 395-7698 for the latest info on these and the other shows.

The Ninth Wave: A Journal of Nocturnal Culture #5 Spring/Summer 1995

While the beautiful sounds of California’s Projekt Records have almost become a genre of their own, it was back in 1992 that I first discovered the label, through a compilation entitled From Across This Gray Land 3. The album’s opener was a lush combination of dreamy, swirling guitar and blissful vocals, and I was instantly hooked. That song was “Mediterranea” by Love Spirals Downwards.

The duo of Ryan Lum and Suzanne Perry have since released two successful albums on Projekt, 1992’s Idylls and, most recently, Ardor. LSD is perhaps one of the few bands linked to the ’80s 4AD sound that are actually worth discovering. Knowing how painfully quiet and difficult some ether-celebs are to interview (Mazzy Star, Cranes) I worried a bit about these two. A quick call proved my fears unfounded; they were both delightful and eager to discuss their band. In fact, Suzanne put me at ease instantly with the simple phrase: “Wow, a female interviewer, how nice.” She then went on to recount her memories of beach harassment. But that’s another story.

I began my probe with the most obvious queries about their background, musical and romantic.

“We grew up in the same area of California,” explained Suzanne. “But we didn’t know each other until we started dating. We were both doing music, but I never thought I would make a career out of singing. We decided to try doing a couple of songs together, so we went into the studio and recorded a three-song demo.”

Continue reading The Ninth Wave: A Journal of Nocturnal Culture #5 Spring/Summer 1995

Ink Spots #19, April 1995 Interview

By Andrew Chadwick

Love Spirals Downwards create haunting tapestries of beautifully layered ethereal guitars and stirring, golden female vocals which seem sometimes like a shaft of sunlight making its way through the smoky gloom. Their debut album, Idylls, invited listeners into their shimmering world. With Ardor, their second release for Projekt, Love Spirals Downwards seem to have become more comfortable with their listeners and embrace them with their bare souls. In February, I spoke with the two members of Love Spirals Downwards, Ryan Lum and Suzanne Perry, about the change between albums, the band, and their impending tour.

Idylls seems a lot darker than Ardor.

Ryan: That’s interesting, because some people who we showed Ardor to before it came out said, ‘It’s not that different,’ and other people said, ‘You guys have really changed a lot.’

Your fundamental style has stayed the same; I think it’s just your approach.

Suzanne: Yeah, it’s definitely a little lighter – not much lighter, though.  You couldn’t describe it as light, but when you compare it to Idylls, its kind like one step about suicidal, you know… (Laughs)

Ryan:  I don’t think it’s suicidal.

Continue reading Ink Spots #19, April 1995 Interview

Fond Affexxions Issue 5 Winter Thaw 1995

SHORTTAKES LOVE SPIRALS DOWNWARDS

By R. Rusvic

You know how when you’re a kid and you get out of the swimming pool? This tea smells like that,” explains Suzanne Perry, LSD’s vocalist. She passes the cup to guitarist, Ryan Lum, and then onto myself and we agree, amazed at the purity of her asseement. We’ve gathered in the duo’s comfortable Westside apartment to discuss the release of ‘Ardor,’ their second full length record. Nearly two years have passed since the band’s debut, ‘Idylls,’ and the band has progressed admirably. One thing that strikes the listener as different is an ongoing sense of unity within ’Ardor,’ an intangible, um, concept.

It dawned on me as I was finishing the album that the way I was mixing the song somehow tied them all together,” says Ryan.

It has more of a sense of worldliness than the previous record,” reveals Suzanne. “When I was singing, I tried to be more personable.” 

Continue reading Fond Affexxions Issue 5 Winter Thaw 1995

Carpe Noctem Vol. 2, Issue 1, 1995

“Into a Well of the Looking Glass” by Aaron Johnston

I was always involved with the ethereal music scene, but never to the degree where it became a driving passion. The nature and tone of the music was, in essence, a very articulate reflection of who I was in self, but there were simply no bands I knew of pushing the sound beyond its gates to a point of unavoidable adoration on my part. It wasn’t simply a matter of finding the perfect band, but of finding the perfect window. Through time and dedication, any group could eventually release an album with the most delicately perfect instrumentation and ideally placed melodic trim, but what is it if there is no decisive emotional push behind it? This question was at the forefront of my mind for many years, and was finally answered one evening as I sat down to listen to a prodigal young instrumentalist named Ryan Lum conspire with an astonishingly angelic vocalist named Suzanne Perry under the name Love Spirals Downwards.

Within a matter of moments, the two managed to capture a well of feelings and affections wrought with a long-held yearning for excommunication and deliverance; a subtle and pure exorcism of the soul. I always thought this kind of experience was a bit too “new age” to be truly revealed to anyone living in the real world, but I was disproved time and time again with each successive listen. I was, in all honesty, baffled by the two arms which were weaving me through the first stages of my spiritual and emotional re-education. Ryan and Suzanne had me wrapped around their fingers, plain and simple. Rather than a feeling of manipulation, however, I was a willing participant. Although it was the effort of two, the group worked almost in a doubled unison. I was traded between Ryan’s deep guitar and keyboard exchanges and Suzanne’s beautiful vocal raptures time and again with abandon. In essence, it felt as if I were being led along by a single hand with two separate bodies, two distinct minds thinking and reacting as one.

Continue reading Carpe Noctem Vol. 2, Issue 1, 1995

B-Sides July/Aug 1995 Feature Interview

“Ecstasy of Angels: Love Spirals Downwards” By Rossi Dudrick

Winged for an astral Odyssey, you’ll soar on a freed soul fantasia, where elation and melancholy are locked in epoch embrace. A sweet chanteuse’s vocals seem to sweep over misty moors, while guitar chords fall like shimmery sunlight on deep pools of tranquility. The height of your ascension is up to you, for even a modern day Icarus now has a second chance.

Although Love Spirals Downwards’ music seems to flow from a wellspring of divine inspiration, the creators of these soft-focus mood montages have no stigmata’s flooding their teacups.  Such cameo apparitions burst like soap bubbles upon meeting the diaphanous duo, vocalist, Suzanne Perry, and guitarist, Ryan Lum.  In the midst of a torrential downpour, they look like two fresh-faced college kids on a tailgater’s rush indoors for safe harbor more than members of the ethereal’s exotic elite.

Over a rainy day breakfast in a ‘50’s time warp diner, the pertinent debate of the moment is omelets vs. blueberry pancakes.  It’s unanimous; stacks of belly whopping blues all around!  Hunger pangs aside, Suzanne and Ryan exude an easygoing warmth and unpretentiousness that sparks candid rapport. “Most people are surprised that we’re down-to-earth, normal people, always joking and really practical; not head in the clouds types,” emphasizes Suzanne. “But what confounds most people is how little time I spend thinking about my music, or think[ing] of myself as a musician.”

Continue reading B-Sides July/Aug 1995 Feature Interview

Ardor Press Release 1995

Official Love Spirals Downwards Projekt press release for ‘Ardor’:

The words ‘Ethereal’, ‘Ether-bliss’, ‘Dream-pop’ and ‘Angelic’ have all been used in describing the mysterious sound of Love Spirals Downwards. While none of these terms captures the essence of their sound, each describes some quality of their beyond-language music. And beyond language’ is a good starting point; their. female vocals transcend lyric and language, while guitars swirl and spiral with bright atmospheric textures from a place beyond words. It is place where words and meaning are meaningless and where emotion and beauty prevail.

Released in late 1992, this Los Angeles duo’s debut album Idylls has become one of Projekt’s most popular releases. On their new album Ardor, Love Spirals Downwards continues their dream-like sound with a blissful and uplifting feel that picks up from the slightly darker, almost Eastern, sound of their debut. Ardor abounds with rich layered textures of effected electric and acoustic guitars created by Ryan Lum combining with the beautiful harmonizing voices of vocalist Suzanne Perry, enveloping the listener in a world of beauty.

PROJEKT
Love Spirals Downwards 'Ardor' 1994 (Projekt)

Tear Down the Sky: The Big Music Issue 1993 Interview

I received Idylls in the mail from Projekt and put it in my CD player… After commenting on it being better than anything the Cocteau Twins have done since Lullabis, a friend angrily takes it out. But it’s true. The intensity quickly lost by the ‘C-word’ is present ten-fold here… LSD have released a CD on the increasingly amazing Projekt label, entitled Idylls, in addition to contribution to the Fifty Years of Sunshine comp. and a flexi from Altered Mind, an LA based ‘zine. Upcoming plans include a track on the Black Tape cover CD and a second CD. All can be acquired by writing Projekt: Darkwave… Luckily I used my summer’s journey across this Grey Land of ours (pun intended) as an opportunity to meet with friends old and new and spent a wonderful afternoon with Ryan and Suzanne of Love Spirals Downwards… Here are some extractions from our very informal interview…

r = Ryan

s = Suzanne

m = me

We’ll skip the babble about early Ministry…

r: I’m mad. I just realized we’re going to miss Taco Bell tonight.

m: a friend of mine asked me where I wanted to eat lunch today and , of course, I said that I had to eat at Taco Bell. It’s the fast food chain of choice for both. The Projekt crew are down with Taco Bell.

r: We used to have a thing for Subway earlier in the year. The veggies and cheese six inch is $1.99 and when the Cold Cut Combo goes on sale it’s $1.49, so when I was living in Santa Barbara I would buy the Cold Cut Combo because it was 50 cents cheaper and I’d go out and find a homeless person and give the meat to them. So look at this, I’m saving money and I’m happy, and I’m giving food to a homeless person.

Continue reading Tear Down the Sky: The Big Music Issue 1993 Interview