Reviews are still popping up of Lovespirals’ recent album, Long Way From Home, in partial thanks to the efforts of Ariel PR who helped to push the album when it was released this past October 23rd.

Jason Moore of Opus writes:

Ultimately, Lum and Bee are all about creating a mood with their music, a relaxed and blissed-out vibe that should be no stranger to fans of dreampop, chill-out electronica, and atmospheric pop. This is music for both late night sessions and noon daydreams, for both listening to at work when you need to escape the pressure of the day and at home when you simply need to unwind with a good book and a glass of wine.

Miles Klee said in Hot Indie News:

Bluesy slide guitar work sometimes shades over into Santana-like finger-meandering, and vocalist Anji Bee’s layered voice paints bright glaze over already dreamy arrangements. It’s as though the glancing disaffection of 80’s and 90’s dream-poppers has been filtered through an AM radio, a mutation that works by dint of sounding completely natural on an evolutionary view.

From the Green Arrow Radio blog:

More than melancholic music, there is a sense that they traveled with you on similar & familiar roads with the radio tuned to the same left of the dial station in the middle of wherever. After nearly a decade of artistic collaboration between singer/songwriter, Anji Bee, & multi instrumentalist & producer, Ryan Lum, it is no wonder that they have managed to put together an album of answers to questions yet asked with a subtle sultry sense of sound security.

The Celebrity Cafe‘s Ray Anderson mused:

Empty and sad, but of full of emotion, their album Long Way from Home is medicine for those that dig the alternative. How can you take a gut-wrenching classic like “Motherless Child” and make it sadder? Let the “Lovespirals” get a hold of it. It’s easy to fall into the loose, country-tinged groove of “Caught in a Groove” and let your soul be taken for a ride. By the time the “upbeat” “Lovelight” comes on, you won’t mind being “A Long Way from Home,” and I think you’ll want to stay there.

Lovespirals’ Motherless Child EP has just been released on iTunes+, eMusic, and Amazon Mp3. This digital only release features 6 remixes of the first single from the duo’s most recent album, Long Way From Home. Artists included are Karmacoda, Hungry Lucy, MoShang, Chris Caulder of Beauty’s Confusion, and The Black Channel Citizen — plus one by Lovespirals’ own Ryan Lum.

By Matthew Johnson

On their third album, Lovespirals shift away from overt electronica in favor of beautiful, understated folk and blues ballads.

If sophomore album Free and Easy saw Lovespirals’ sound at its biggest, Long Way from Home is the duo’s most intimate, forsaking house beats and jazz flourishes for understated slide guitar and acoustic strums. Ryan Lum’s production is more mature than ever before; unless you really listen for it, you won’t be able to tell that he plays and records all the instruments himself – maybe not even then – and the drums sound warm and clear, betraying no hint of sampler or sequencer. Instead, Lum lets his arrangements take center stage, with emotive guitar solos harmonizing with electric organ on the bluesy ballad “Once in a Blue Moon” and relaxed acoustic strums highlighting jazzy piano chords on “Nocturnal Daze.” Anji Bee’s vocals are beautifully languid, the sweetness swathed in melancholy on the plaintive “Caught in the Groove,” adorned by floating background harmonies on “Treading the Water,” and sensual yet dreary on the pair’s stark rendition of classic spiritual “Motherless Child.” Fans of the pair’s more overtly romantic material will appreciate unabashed love song “This Truth,” and there’s even a hint of the ethereal dreaminess of Lum’s previous project, Love Spirals Downwards, on the fuzzy overlapping guitar tones and meandering vocals of “Sundrenched” and “Lazy Love Days.”

It’s not an understatement to call Long Way from Home the duo’s most accomplished work up to date; as enjoyable as their previous explorations of laidback electronica and jazz fusion have been, this album captures Lum and Bee’s warm musical chemistry in a way that previous releases only hinted at.

View the original review at Re:Gen Magazine.

Matt Rowe reviews Long Way From Home for Music Tap, 11/28/2007

The evolution of Lovespirals into the band that they are today has been a long road. From the band’s early years as Love Spirals Downwards — with a vocalist all-but-forgotten for Anji Bee’s lovely, dreamy, and expansive vocal pleasantries — to their current album, Lovespirals have always been a band of change. Their latest, the wonderfully titled Long Way From Home, is one of superior work and can easily rank as the band’s best work in either incarnation.

Still a part of the Dream-Pop sound that formed them, the Anji Bee years of Lovespirals have been an essential element for the band. With her ability to wrap around Ryan Lum’s musical explorations, Lovespirals is not afraid of trying on new clothes, framing them in gorgeous soft tones of various flavours. The album begins with a “career-best” blues song that accentuates the album’s direction. “Caught in the Groove” is a beautifully produced, dream-blues (if I may coin the phrase) song. Using a song as a metaphor for the deterioration of a relationship, this captivating tune is made all the more extraordinary by Lum’s blues guitar.

That same bluesy guitar shows up in “Once in a Blue Moon, and “Nocturnal Daze.” Ryan Lum’s guitar leads have a distinct ’70s feel throughout the album. Some songs recall the past musical history of the band. “Sundrenched” lends itself to the stream of that past. The album closes with the excellent musically and lyrically sex-soaked “Lazy Love Days.”

The needle may be “caught in the groove” but, for me, that’s a good thing where this album is concerned.

View the original post at MusicTap.net