Love Spirals Downwards – Constantly In A State Of Flux
By Daniel Bremmer
Love Spirals Downwards has always had a problem fitting in to any specific category. As on the first artists signed to Projekt, Ryan Lum and Suzanne Perry have been lumped in the same ethereal category as label mates Black Tape for a Blue Gil and Lycia. “I think our music is somewhat melancholy. Some goths really get off on it, some don’t,” remarks Perry. A friend introduced the duo to Projekt, which at the time were a small Pasadena label which largely served to release label owner Sam Rosenthal’s band, Black Tape for a Blue Girl. “I’ve seen the piles of demos from bands that would give their left arm to be on Projekt, and we had never even heard of them. They were really small then, we were at the right place at the right time,” says Lum.
While the swirling guitars, dreamy female vocals, and lush atmospheric landscapes of their first three releases have not exactly clashed with other dark wave artists, the duo have certainly not considered themselves to be a goth band. Nowhere else has Love Spirals Downwards experienced the effects of being considered a goth band as when they perform live. With the exception of a few small shows, a majority of their performances have been promoted as goth shows. One recent example was ProjektFest 96, hosted by Coven 13 and billed as “An Evening of Gothic Music.” When remarking on Coven 13’s resident DJ, Jason Levitt’s rather unethereal and wholly uninspired teeny-bop top 40 set, Perry laughs and states that “He’ll play the same records next week, and the week after, and the week after that! As though he has not been playing them since 1985 or something? That’s pathetic. I’m embarrassed for those people.”
Continue reading Fix Magazine #24, 1998