MusicTap made a little write up about our very soon to be released album, Life Goes On.

Since 1992, the genesis of the current Lovespirals began a recording career as Love Spirals Downwards (Ryan Lum and Suzanne Perry) with four exquisite recordings (Idylls – 1992, Ardor – 1994, Ever – 1996, Flux – 1998), all on Projekt Records. After a short hiatus, the band regathered with a new vocalist by the name of Anji Bee, and released four additional excellent sets (Windblown Kiss – 2002, Free & Easy – 2005, Long Way From Home – 2007, Future Past – 2010) as Lovespirals. After a long, long break from recording as a duo (Anji Bee released a solo album, Love Me Leave Me, back in 2013), the Lovespirals iteration will deliver their fifth album, Life Goes On, with a collection of ten new songs written by the pair. Having been a fan from the beginning, I’m excited for this new collection of music from Ryan and Anji.

— Matt Rowe

Head over to MusicTap to read the full article.

To our great surprise, Gothic Beauty included a review of Lovespirals’ 2010 album, Future Past, in the latest issue of their 80 page glossy color magazine. Gothic Beauty Issue 33 is available now at Barnes & Noble, Borders, Hastings, Chapters, Walden Books, Book World, Sheltam Books and Copperfield’s Books – or directly via gothicbeauty.com. Reviewer Michael writes, in part:

“This album is designed for chill atmospheres. It reminds me of late nights at the bar and a jukebox loaded with good music. The song “Rain” is not to be missed — I’ve fallen in love with the song and want to have the song’s babies.”

Re:Gen online magazine review of the latest Lovespirals album:

Ryan Lum and Anji Bee go big on their fourth full-length album, adding ‘70s blues and progressive rock elements to their chilled out soul-tinged electronica.

Their fourth album together is a step into a bigger sound for Ryan Lum and Anji Bee. The duo’s fascination for ‘70s soul and jazz is amplified in Lum’s production, with the Rhodes piano that gave 2007’s Long Way from Home so much of its signature warmth joined by lush, almost disco-tinged strings on the languid, smokey “Rain” and the laidback but funky “Water Under the Bridge.” The guitars are bigger too, the spaced out progressive instrumental “Meanwhile, Irreplaceable Time Flees” segueing into the wah-wah-laced soul of “Insignificant.” Bee’s voice is stronger, more mature, and more powerful this time around as well; Lum and Bee have a reputation for love songs, but “Feel So Good” and “Shine” are positively lusty, highlighting both Bee’s range and her sensuality. The real standout on this album, though, is “Home,” which is more reminiscent of earlier Lovespirals songs in its cozy romantic vibe but features the best singing the pair have ever recorded, with subtle multi-tracking enhancing an already impressive vocal showing.

Continue reading Re:Gen Mag Reviews Future Past →